Nearly five years ago, within the span of a year, painter Wendy V. Edwards lost her father to Covid and welcomed her first grandchild. “I was dealing with the death, but at the same time,” she says, “having a grandson is such a wonderful gift. It’s like a new life, new world.” The experience jolted her into creating a series of largescale paintings that explore the cycle of life and death. Poking around her bookshelf at home, she came across a midwifery textbook from the 1840s. The illustrations of embryo and fetus development struck her both as morbid and profound, so she used them as source imagery for her paintings. “My work is really very colorful and vibrant, and people often view it as being positive, kind of upbeat,” Edwards says. “But in reality, I’m dealing with some more serious issues as I get older.” These paintings, and several from a past series inspired by Vincent Van Gogh’s late works, are part of Edwards’s new solo exhibition, opening this month at the Currier Museum of Art in Manchester, New Hampshire….

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In honor of the long-term exchange between American and Chinese painters, Wendy Edwards’ and Jerry Mischack’s
works were projected in Times Square on September 25, 2024.

The huge Times Square Projection was an exchange between American and Chinese painters that had developed over the past eight years. Wendy Edward’s paintings were produced after her first trip to China in 1984.

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